Learning, Authenticity & Online Policy Primers

18 11 2009

This year I’ve been enjoying designing and implementing a series of new assignments and assessment techniques with students in our Internet Studies programmes.  One of the most challenging things about working in Internet Studies is trying to make assignments authentic – which basically means doing assignments which can end up being meaningful and, ideally, viewable by the world-at-large on the Internet.  One assignment that has worked particularly well and I thought worth sharing is from the unit Online Politics and Power, which looks at power in various guises and instances online. 

One of the most interesting ways power is deployed online is through those infamous Terms of Use and Terms of Service which 95% of people never read, but always agree to, when signing up for a new service.  So, I thought it’d be useful to ask students to really interrogate the Terms of Service of some online tools and platforms.  More to the point, I wanted this to be a useful assignment beyond the confines of a university unit.  So, I asked students to find a way to communicate the core elements of some Terms of Use in a way that would be accessible to the general public, hence an Online Policy Primer.  (If you’re interested the assignment outline and requirements are online here.)

I have to say, I was blown away by how good the Primers are, and how, ultimately, useful they are, too.  Also, while we did discuss the Creative Commons, I didn’t stipulate that students had to use a CC license, but I was delighted that many chose to do so.  Of those that did, I’d like to share three stand-out examples. 

The first, by Paula (@MXYZ_), takes a close look at Flickr’s Terms of Service and is licensed under a Creative Commons Attributions Share-Alike license [CC BY SA]:

The second, by Simon (@whoisimon) explores the Terms of Service for Slideshare and is licensed under a Creative Commons Attribution, Non-Commercial, Share-Alike license [CC BY NC SA]:

And the third, and final, policy primer I wanted to highlight is by Chea Hwey Yea, looking at Twitter’s Terms of Service and is also licensed under a Creative Commons Attribution, Non-Commercial, Share-Alike license [CC BY NC SA]:

These are just three examples of the many, many wonderful primers students created; while not everyone used a Creative Commons license, three more Primer’s worth highlighting are a machinima presentation exploring Second Life’s Terms of Service created by Rhys Moult,  Renee Bird’s close look at the Terms of Use for the Multiplayer Online Game Evony, and Veronica Fry’s analysis of YouTube’s Terms of Service.

As you can see, these students have a lot to be proud of and have, in many cases, created Primers which are likely to be useful well beyond the confines of the unit!

[Cross-posted from Tama Leaver dot Net]




A Very CC Year …

14 12 2008

As it’s the Creative Commons movement celebrates a birthday this week, I thought I’d take the opportunity to reflect on my year in CC terms, as well as showing off some very impressive CC-licensed work by my honours students.  It has already been a pretty big year in Creative Commons terms for me and the students I teach; in the first semester my Digital Media class experimented with Creative Commons licenses on a lot of their output, including many of their Student News reports and almost all of their outstanding Digital Media Projects; I’ve also enjoyed being part of an education panel at the Building an Australasian Commons conference in July, as well as presenting on my talk ‘Building Open Education Resources from the Bottom Up’ at the Open Education Resources Free Seminar today in Brisbane in September.

As the year’s drawing to a close, I’m delighted to highlight one last effort, this time from the honours students in my iGeneration: Digital Communication and Participatory Culture course.  The course, as in past years, has been a collaborative effort between the students and myself; I’ve provided the framing narrative and opening and closing weeks, while the students, in consultation, have written the central seminars in the course.  Moreover, all course content from the seminars to the curriculum, from the students’ audio podcasts to their amazing remix videos, has been released under a Creative Commons license as both an exemplar of their fine work and an Open Educational Resource which, hopefully, will be something other teachers, students and creative citizens can draw upon for their own purposes. Moreover, given that I first ran iGeneration in 2005, this year’s students already built upon the work of that first cohort, learning from their peers and, hopefully, sharing so future peers can build on this work, too.

I also thought I’d take this opportunity to showcase some of the specific media projects created this year.  The first is a really impressive podcast by Kiri Falls which looked at the Babelswarm art installation in Second Life

Babelswarm MP3

[Full Sources & Exegesis] [CC BY NC SA]
Kiri’s final project for the unit, this time a remix video, takes quite literally the idea that creativity builds upon the past, with this enjoyable video which mashes together a plenitude of videos and photographs …

[Full Sources & Exegesis] [CC BY NC SA]

The second remix project I wanted to showcase is by Alex Pond; Alex has created a short but very poignant  video which takes issue with the monolith that is copyright law, but celebrates the freedoms which are shared via the Creative Commons …

[Full Sources & Exegesis] [CC BY NC SA]

The final remix I wanted to highlight is a bit different.  This one, by Chris Ardley, includes art and music from creators who’ve explicitly given Chris permission to re-use their work and share it under a CC license.  This animation, created in Flash, explores remix more metaphorically, and tells a tale of worldly creation …

[Full Sources & Exegesis] [CC BY NC SA]

I think all of these projects are quite impressive, and I was delighted at how seriously this year’s students took the idea of remix and how many of them embraced everything that the Creative Commons has to offer, as well as giving back something of their own.  I’ve also finally written iGeneration up as an educational example in the CC Case Studies Wiki, something I’ve been meaning to do for a while!

So, Happy 6th Birthday to the Creative Commons! In the next six years, I hope you’ll consider sharing work under a CC license if you haven’t already, but a shared culture can help us all be a lot more creative.  I know my students have benefitted from the generosity of the Creative Commons, and have, in turn, added a few quite impressive ideas and artefacts back in the creative stream.

[Cross-posted from Tama Leaver dot Net]




AFACT vs iiNet (and convincing Australia’s teenagers they’re pirates)

21 11 2008

pacright

As most people in Australia would now be aware, one of the most important developments in terms of civil rights and the Australian internet has now gone before the courts as a consortium, led by the Australian Federation Against Copyright Theft (AFACT) is suing ISP iiNet for refusing to cut off customers for alleged (not proven!) copyright infringement in terms of bittorent media downloads. From the Age:

The Australian film and television industry has launched a major legal action against one of Australia’s largest internet service providers for allegedly allowing its users to download pirated movies and TV shows. The action against iiNet was filed in the Federal Court today by Village Roadshow, Universal Pictures, Warner Bros, Paramount Pictures, Sony Pictures Entertainment, 20th Century Fox, Disney and the Seven Network. Mark White, iiNet’s chief operating officer, said the company did not support piracy in any form but it could not disconnect customers just because the movie industry claimed they engaged in illegal downloading. Adrianne Pecotic, executive director of the Australian Federation Against Copyright Theft (AFACT), said the action followed a five-month investigation by the industry.

There are also arguments made that peer to peer networks should simply be blocked (although that argument hasn’t been in quit those terms just yet in this case) but that serves as a good opportunity to remember that p2p and, yes, even bittorent, are not intrinsically for distribution of ‘pirated’ media; there are plenty of things, including feature films, being distributed via peer to peer networks which are entirely legal!

One thing this case should, hopefully, achieve, is to test the extent to which recently imported ‘safe harbour’ provisions actually stand up in an Australian court:

"This is a very important test case for the internet industry in Australia," said Peter Coroneos, chief executive of the Internet Industry Association. "It will test the effect of the safe harbour provisions that were introduced with the US free trade agreement, which provides immunity for ISPs in certain circumstances such as transmission, hosting, caching and referencing activities."

However, as this article from Michael Sainsbury and Fran Foo in Australian IT notes, the lawsuit seems to stand on pretty thin legal grounds (disclaimer: I ain’t no lawyer!):

iiNet managing director Michael Malone said when it received AFACT’s complaints, they were forwarded to the Police. "But AFACT refused to talk to the Police," Mr Malone said. Ms Pecotic brushed aside Mr Malone’s explanation, saying: "The law is clear and iiNet knows that. They cannot pass the buck … it is their responsibility." "There were many things that iiNet could have done and at the very least, issue a warning to the customers involved but they did nothing," she said. Unlike a number of other major jurisdictions such as the United States and Britain, Australia does not have blanket agreement between content companies and broadband providers about file swapping. An Optus spokesperson said that under Australian law there are remedies available to copyright holders, including taking action directly against those alleged to be infringing rights. "It is unfortunate that the rights holders are targeting an ISP because under Australian law, internet service providers may generally be considered conduits which provide carriage services, and as such are not responsible for copyright infringements carried out by customers using their internet services,” the spokesperson said. This position is reflected in sections 39 (B) and 112 (E) of the Copyright Act 1968 (Com), and in the safe harbours set out in Division 2AA, which were introduced protect ISPs from being onerously required to enforce intellectual property rights where they are merely providing carriage services.

On the smaller screen front, TV Tonight notes that Channel 7 is part of the group attacking iiNet, although reading the comments on the TV Tonight post, this action seems to have focused even more people’s feeling that they are downloading television shows because local networks simply aren’t providing the goods in a timely or consistent fashion!

iiNet’s own response seems the most sensible part of this whole debacle:

iiNet’s Managing Director Michael Malone said iiNet does not in any way support or encourage breaches of the law, including infringement of copyright. “In reality, iiNet has been leading the industry in making content available legally through our Media Lounge, including agreements with iTunes, ABC iView, the West Australian Symphony Orchestra, Cruizin’, Macquarie Digital TV, NASA Television, Barclays Premier League football, Drift Racing 2007 and classic highlights of golf’s four Majors,” Mr Malone said. Mr Malone said iiNet had not breached any laws and had repeatedly passed on copyright holders’ complaints to law enforcement agencies for investigation. He said iiNet had advised the Australian Federation Against Copyright Theft (AFACT) that their complaints had been forwarded to law enforcement agencies and that they should follow the matter up with them. iiNet’s Customer Relations Agreement clearly spells out that customers must comply with the law and that our service must not be used “to commit an offence or to infringe another person’s rights”. “iiNet cannot disconnect a customer’s phone line based on an allegation. The alleged offence needs to be pursued by the police and proven in courts. iiNet would then be able to disconnect the service as it had been proven that the customer had breached our Customer Relations Agreement,” Mr Malone said.

Relying on the idea that customers are innocent until proven guilty?  Whatever is iiNet thinking?

At the same time this lawsuit was announced, AFACT released the following ‘resource’ – Nothing beats the real thing! How copyright, creativity and citizenship shape our society (subtitle: Film Piracy – Your Actions Can Make a Difference) – which has been mailed on DVD and hardcopy to every secondary school in Australia. The ‘resource’ is structured around addressing film piracy; the ‘civics lessons’ here are, at best, tailored to a very specific commercial aim and, at worst, an advertising campaign trying to make relevant copyright laws which have long since been dismissed as out of touch by the most teenagers.  More to the point, a genuine civics lesson on copyright would spend considerable time discussing fair dealing, the public domain and the Creative Commons (and other copyleft licenses) as a channel for personal and political creativity and expression (to be fair, both of these things are mentioned in the ‘resource’, but a single paragraph hardly does the Creative Commons justice, especially when it spend half the time emphasising that CC licenses are complex: “There are lots of different types of ‘Creative Commons’ licences, so make sure you always read the terms and conditions of these before applying them to your work or using material licensed under such a licence.”). How central is film piracy to these civics lessons?  The lesson structure:

afact

Is the ‘resource’ balanced?  I’ll leave you take a look for yourself (6Mb PDF), but I’ve never read an educational resource before which feels the need to include this disclaimer (p. 4.):

The resource is not a propaganda exercise. It does make clear to students that there are harmful consequences from film piracy, but it does so through educationally valid processes. It is an educational approach that allows students to face a significant civics and citizenship issue: their role in a society where many of them and their peers are breaking the law.

All I can say is I’d be really, really disappointed if this was the only resource secondary school teachers were provided when integrating lessons which combine copyright, creativity and civics in the classroom.

[Photo: ‘ars electronica linz 2008’ by Mike from Zurich CC BY (Edited)] [Cross-posted]

Update: Kim Weatherall has a detailed legal (and possibly more balanced) look at the case here. [Via Peter Black]




Student Digital Media Project Showcase

31 08 2008

After getting off to a decent start with my blogging about student creativity this year, I seem to have fallen a little behind.  I’ve had this post in draft form for ages, waiting for some insightful commentary to spring forth from my uncooperative brain, but alas, none has emerged so I thought I’d just showcase a few outstanding examples from my Digital Media (Comm2203) unit last semester and let them speak for themselves! While the first Student News assignment in this unit asked students to make a relatively traditional television news-style story (the best of which were screened on local tv), the final project was rather different as it was designed to provoke some hard thinking about digital media more broadly both in form and content.  The outline for the final projects stated:

The Digital Media Project is designed to explore the affordances of digital video and media in an online context. Working in teams (the same as your Student News Project team), students will produce a 3-minute short digital video piece which critically explores an idea, concept or area which was discussed in or, or directly provoked by, the ‘Convergence & Transmedia Storytelling’ or ‘Citizen Journalism and Participatory Culture’ lectures, readings and seminars.

This project emphasizes (a) research in the area of digital media, (b) clarity in communicating and sharing a research-informed perspective or argument about part of the digital media landscape; (c) taking an innovative approach to creating digital media; and (d) technical proficiency in creating digital media.

Given that the first half of the unit was largely practical – many were first-time users of digital video cameras, sound equipment and non-linear editing software – I wondered if introducing conceptual material from the likes of Henry Jenkins and Axel Bruns might overwhelm students; on the contrary, I found almost everyone excelled at combining their newfound practical skills with wider issues and concepts.  All 28 projects submitted were of a high quality, and everyone who took this unit should be proud of their work, but a few really did stand out amongst the rest and are well worth highlighting here.

The first project I want to mention is ‘Citizen Journ vs Traditional Journ‘ which mimics the style of the Mac Vs PC advertisements, with a stop-motion twist, to explore the changing relationship between traditional journalists and citizen journalist:

In a similar vein but using a really different technique, ‘Something Old, Something New‘ mixes footage from a 1940s documentary on being a journalist with contemporary footage to examine exactly how far journalism has changed in the face of participatory culture:

Looking at web 2.0 culture more broadly, ‘A Blog’s Life’ is a comical look at the evolution of blogging in the style of a nature documentary:

And in a slightly more academic tone, ‘Transmedia Storytelling and Convergence’ gives a pretty good rundown of some core features of Henry Jenkins’ arguments about transmedia in the digital media landscape:

Finally, ‘Joe Bloggs Presents Web 2.0’ is a laugh out loud satire looking at the average blogger (A LANGUAGE WARNING, though: Joe Bloggs swears like an angry trooper!):

And, yes, I did have what can best be described as an awkward cameo appearance in that the adventures of Web 2.0 there – but it was worth if, if nothing else, for that outstanding end credits song! If you’re inspired so see more, 27 of the digital media projects can be found here.  Also, it’s worth mentioning that the majority of students chose to post their work under a Creative Commons license (not all, I should add, but I’m pleased enough that by the end of the course everyone knew enough to make an informed choice one way or another).

Oh and quick shout out: my partner in crime in teaching Digital Media was Christina Chau who was an excellent tutor and whose own thoughts on the unit can be read here!

[Cross-posted from Tama Leaver dot Net.]




Creative Commons Australia – 3.0 License Drafts and more…

20 07 2008

ccauv3.0-feedback

I’ve been meaning to post about all the exciting things Creative Commons Australia have been up to since I returned from the fabulous Building an Australasian Commons national conference (and the linked Creating Value: Between Commerce and Commons international conference), but it’s taken a few weeks so first off I want to draw your attention to the Creative Commons Australia 3.0 draft licenses which have been ported to Australia, bringing CCau up to date with the global 3.0 releases.  The licenses are in draft form and open for comment now, so I’d encourage you to take a look and leave comments if any come to mind.  This version is more directly based on the CCNZ 3.0 licenses which are considerably more understandable for the layperson (ie non-lawyer, like me).  The public comment phase has been going for a while, and for comments to be addressed before the official release they need to be made by 1 August 2008 (yes, I should have mentioned this earlier, but go look now, you’ve still got a couple of weeks).

Equally exciting, a global project spearheaded by Creative Commons Australia has been released: the Creative Commons Case Studies project.  One of the biggest challenges when explaining Creative Commons licenses to other people was the lack of examples.  Sure, we can all talk about Cory Doctorow’s exemplary book licensing, but there are so many other projects out there using CC licenses to share, publicise and allow others to build upon and remix their work.  Well, the Case Studies project makes life a whole lot easier, collating a wealth of examples from across the globe when groups, bands, corporations, universities and more have used CC licenses.  Each case study features an overview, how the CC license is used, and the motivations for choosing a CC license; this structure ensures that we understand what CC licenses can achieve and the various philosophies behind their use (from philanthropic to purely promotional).  The best part, though, is that the Case Studies project is wiki-based, meaning anyone who wants to can add an example either of their own use, or of someone else’s exemplary work under CC.  I’ve got a couple of examples of past work with my students I’ll by adding soon, and I hope if you’ve been using CC licenses either in education or anywhere else, you might want to consider documenting your best examples to share with the world, too.

[Cross-posted from my main blog.]




Best of Student News

23 05 2008

On Tuesday, the students from my Digital Media class, as well a few invited guests and colleagues, enjoyed a screening of the Best 8 Student News Projects from the unit. This project, the first major assignment for the unit, takes place after 4 weeks of workshops which introduce digital video cameras, sound recording and (very) basic lighting, non-linear editing and copyright in media production. It’s a bit of a whirlwind, but the culmination of these workshop is a project in which students, working in groups of 4 or 5, get exactly one week to produce a 3 minute news story on the basis of pre-assigned topics (all of which are based on relevant local issues).

Once the projects are completed, part of the feedback process is not just comments from myself or Christina (who is tutoring half of the classes, I’m tutoring the other half) – although we do give a fair bit of written feedback – but we also have a reflective seminar where the projects completed by the groups in these seminars (there are 4 groups in each seminar) are viewed and the other members of the seminar offer written and verbal feedback. I find this is always a very rewarding process, as students often engage more directly with peer feedback. To top it off, at the end of each seminar (there are 8 ) each seminar votes and the best project, along with the top from the other seminars, become those which make up the Best of Student News screening. While I am a little hesitant to place too much weight on the ‘best’ projects – learning is, after all, not a competition – students nevertheless respond well to this voting process. I suspect the idea of them deciding the best projects rather than the course staff is very appealing! Then, in the Best of Student News screening, the students get to vote once more and select their choice for the Best Student News Project of the year.

I have to say, I think the level at which students produced their projects this year has been outstanding. Even though most of them have learnt their media production skills over 4 one and a half hour workshops, many of these projects can stand up against the work of professionals who’ve had 3 year of training. The Best Project for the year, as selected by their peers, shows that humour – when used properly – really is one of the universally appealing elements of media. So, without any further ado, this year’s Best Student Project takes a comical look at the role of community radio in the era of media conglomeration.

Community Radio

At the screening, there is also a Staff Award given the the project which got the highest overall mark. This award went to the group behind a technically outstanding project which explored whether Australia’s young Olympians are adequately prepared to be thrust into the media spotlight at the Beijing Olympics.

Young Olympians and the Media Spotlight?

There are two other projects from the screening I wanted share: one takes a look at the proposed redevelopment of the Perth inner city foreshore, and the other asks to what extent Earth Hour is a genuine attempt at ecological change.

Perth Foreshore Redevelopment

Earth Hour 2008

One other noteworthy aspect of these projects, and of many others students created for the course, is that after our discussions on copyright, each of the projects above has selected to place their finished work under a Creative Commons license. Among other things, this suggests that far from the end of the conversation, some of these student projects may, indeed, have an interesting life being screened and remixed in different settings.

The students in this unit are now working hard on their second project, which is explores more specifically the affordances of digital video on the web, and I have to say, having just heard their Pitches for these projects, I’m really exciting to see the next projects as they’re completed!

[Cross-posted from my main blog.]




Building an Australasian Commons – June 24, 2008: Brisbane

12 05 2008

ccauconftopbanner

To explore, expand and expound upon the emerging Australasian Commons, the Creative Commons Australia team have organised a free one-day symposium which investigates a range of activities, programme and philosophies driving open access and the cultural commons across Australia, New Zealand and South-East Asia.  I’ll be there, participating in a panel on the Creative Commons and Education, as well joining the team facilitating a workshop on ‘Building Knowledge: Open Education Resources (OER) and Research Materials’.  Here are all the details:

… are proud to announce that registration is now officially open for the Creative Commons ‘Building an Australasian Commons’ Conference. The conference will be held on Tuesday 24th June 2008 from 8.30am – 5pm at the State Library of Queensland, South Brisbane, and is proudly supported by Creative Commons Australia (http://creativecommons.org.au), the ARC Centre of Excellence for Creative Industries and Innovation (http://www.cci.edu.aau), and the State Library of Queensland (http://www.slq.qld.gov.au).
This event provides an opportunity for those interested in the free internet to come together to exchange ideas, information and inspiration. It brings together experts from Australasia to discuss the latest developments and implementations of Creative Commons in the region. The conference aims to be an open forum where anyone can voice their thoughts on issues relating to furthering the commons worldwide.
The current programme detailing the array of presentations, workshops and round table discussions can be found at http://creativecommons.org.au/australasiancommons. Attendance is free and open to all comers. However, places are limited, so if you’re interested in attending please register ASAP. Registration closes 9  June 2008. You can download the registration form at http://creativecommons.org.au/materials/ccauconf08/
australasian_commons_conference_registration.pdf
and return it via email to Elliott@creativecommons.org.au.
The conference will be followed on the day at 6pm by the second CCau ccSalon, a showcase of Creative Commons music, art, film and text from Australia and the region.  This will be a great opportunity to mingle and relax after the day’s events while experiencing CC works in action. We look forward to welcoming you at ‘Building an Australasian Commons’.

Keep in mind, it’s a completely free event, so if you’re interested and can be in sunny Brisbane on 24 June, I’ll see you there!

[Image based on Them colors... by jurek d CC BY] [X Post]




CC+

18 12 2007

One of the big announcements at the celebrations of Creative Commons’ fifth birthday was the release of the CC+ (CCPlus) licensing arrangement which combines existing CC licenses with ability to also explicitly point to additional licensing (for example, terms for commercial use on an NC CC license). From the CC blog:

CC+ is a protocol to enable a simple way for users to get rights beyond the rights granted by a CC license. For example, a Creative Commons license might offer noncommercial rights. With CC+, the license can also provide a link to enter into transactions beyond access to noncommercial rights — most obviously commercial rights, but also services of use such as warranty and ability to use without attribution, or even access to physical media.

“Imagine you have all of your photos on Flickr, offered to the world under the CC Attribution-NonCommercial license,” said Lawrence Lessig, CEO of Creative Commons. “CC+ will enable you to continue offering your work to the public for noncommercial use, but will also give you an easy way to sell commercial licensing rights to those who want to use your work for profit.”

While CC+ isn’t exactly new – it was always possible legally – the simplification of this arrangement is sure to see a lot more people explicating the terms under which they’d released material commercially and, hopefully, this encourage commercial producers to use material in this form.

In case you prefer you explanations to be more engaging, here’s
Download.

One of the reasons I really like CC+ is that I can really see its value for media produced by students; CC licenses really encourage others to view and share, but having commercial uses spelt out means that if what students create is good enough, they could also see it making money for them!

[Cross-posted from my main blog.]




Reflections on the Australian Blogging Conference and Blogging in Education

1 10 2007

As readers of my main blog will know, I spent Friday at the Australian Blogging Conference at QUT’s Creative Industries Precinct in Brisbane. It was a fabulous, stimulating and intellectually rich conference and a great end to Tama’s-month-o-conferencing. I was the facilitator for the ‘Blogging and Education’ session so thought, in the spirit of the conference, I’d better get my notes up here:

Blogs and Education

The session ran for two hours, with a good balance between K-12 educators and those of us from the Higher Ed sector. After a brief (well, brief for me) introduction, the session was loosely structured around three main questions…

Why blog in education?

The Pros

* Allowing students to connect with community, family and an intellectual arena beyond the boundaries of the classroom.
* While most educational institutions have some sort of Learning Management System (such as Blackboard), the architecture of these systems tends to be inward-focusing, getting students thinking that everything they need is inside the walls of the black box. Blogging, by contrast, is outwardly-focused and keeps students focused on the broader (potential) public or audience they may be writing for. Thus, if we’re teaching life-long skills, blogs are often better platforms, due to their openness, than other closed systems.
* Blogs can meaningfully extend the educational experience, giving students a space to engage, write and communicate beyond the tutorial room. The uptake of this opportunity will often be uneven, but it’s often the less confident students who flourish in blogged communication.
* in certain contexts, blogs can become ’student property’ once a particular unit of course is over, thus allowing students to continue to build and use their blogs (this clearly differs depending on the context and aim of an educational blog, and on the age of the participants).
* Blogging as an ethos is about sharing knowledge, building ties and acknowledging the input of others – all key characteristics of good pedagogy!

The Cons

* Having purchased the (usually quite expensive) Learning Management System, the majority of schools and universities invest most of the training, support and infrastructure costs to maintain the hardware and use of this system. Blogging is thus often done using peripheral tools which educators must teach themselves to use rather than getting central support.
* Many institutions desire to contain and control everything that students are producing, both in terms of protecting student privacy and in terms of protecting institutional intellectual property or even just keeping work away from outside scrutiny. While this can be overcome, it’s often IT and central policies which have to be convinced and converted to make the use of blogs (and other web 2.0 tools) feasible.
* At times education in Australia is still focused on the idea of a digital divide – where the aim is to get every student access to a computer – whereas the meaningful discussion needs, really, to shift to the idea of the participation gap – where the focus needs to be on ensuring all students are familiar with network and digital literacies, thus being able the meaningfully utilise social software and other tools, which is a lot more than just having occasional access to the internet.
* The mythos of the digital natives tends to scare many educators because it suggests that many younger people (dubbed digital natives as they’ve never know a world without the internet) will always have more familiarity than their teachers (who are dubbed digital immigrants since the web appeared at some point during their lifetime) and thus teachers are worried about not being knowledgeable in these areas.

Examples and reflections?

K-12 Examples

* Year one ‘Little Gems’ blog – Amanda Rablin demonstrated this outstanding blog by year one students (!) which not only broadened their classroom experience, but also showed a level of reflexivity well beyond the primary school level!
* PodKids Australia – From a year 4/5 class in a WA country town who have used podcasting (and their blog) to communicate with their parents and the wider world in a sensible, thoughtful and safe manner.

Higher Ed Examples

* Self.Net Tutorial (Monday 2pm) blog – An example of a blog used to expand the engagement of students in the tutorial process, and extend their potential interaction beyond the confines of the classroom.
* iGeneration Honours Unit blogs – A full university unit where the entire curriculum is online (collaboratively constructed by the unit coordinator and the students) as well as all of the students work – which include critical evaluations of blogs and podcasts as the major assessment item – and the week-by-week tutorials in the course.
* Communication Studies 1101 link blog – the least exciting of all the examples, but nevertheless useful, this blog is simply a series of links to useful material for students in a first-year Communication Studies course at UWA.

(All three Higher Ed examples use Creative Commons licenses to make legally explicit the intention that students’ content can be build-upon by others, on the condition of citation. I was particularly pleased to see both Elliott Bledscoe and Jessica Coates from Creative Commons Australia in this session!)

Missing from these examples was the best use of blogging as per blogging as a participatory cultural form which is a course-length blog maintained across the three to five years of a degree. One good example I’ve found now that the session is over is Sarah Demicoli’s Looking Up? blog; notably Sarah is a student in Adrian Miles’ Labsome Honours cohort.

Should academics blog?

This question ended up being divided into two parts: should K-12 teachers blog, and should academics (and doctoral students) blog? The first question proved far more complicated in that there is an expectation that teachers in the K-12 environment will share less of their personal lives with the world. The accountability that comes with being a teacher – especially from parental expectations – means it’s something of a challenge to share too much of a teacher’s life publicly, less it be seen and critiqued by parents or students. Likewise, the important line between teachers and students was one of those areas where teachers need to be especially careful when using social networks like Facebook or MySpace because ‘friending’ students might inadvertently be read as entering into a social dynamic with students which is generally something of a taboo. Some folks felt this was particularly complicated since some teachers using social networks might be less familiar with the social norms of the platforms and accidentally cross a line – or be perceived to cross a line – by accident. Sadly, excessive accountability seems to be one of the major reasons that teachers would be hesitant to blog – or at least only blog on a narrow band of topics. That said, there was still a sense that teachers would blog if they found the right reason or topic, but that the boundaries as to what other personal information would find its way online would be a very solid boundary indeed!

On the ’should academics blog?’ front, things were decidedly more optimistic. There was a strong sense that academic blogs were a rich source of information, insight and commentary and that these were often far more accessible than other forms of academic writing. I asked a particularly loaded question – should academics feel obliged to blog since in publicly funded institutions the onus is to share our thoughts, research and ideas with the public, not just a our peers via peer viewed gatekeeping – and a few people were enthused by this idea, although there were a few comments about the need to have peer review before academic ideas escape into the world. The confusion surrounding danah boyd’s MySpace/Facebook class paper, and her subsequent reflections on the process, proved a useful example. That said, the biggest boundary to academic blogging seemed to be the amount of time it might take, but most people in the session thought it was time well spent!

I should add that these notes are re-constituted from rather poorly recorded keywords during the session, so further reflections, comments and notes on this session are most definitely welcome!

The Rest of the Conference

I don’t have terribly detailed notes from the other sessions I attended (which might be a blessing since caught the red-eye from Perth the night before the conference was thus a little less than coherent in the morning sessions), but thankfully being a blogged event, there are plenty of posts about the conference worth reading. Reflections well worth reading include those from Senator Andrew Bartlett, Australia’s most web-savvy politician. Derek Barry has posted three detailed reports on the Morning Panel discussion, The Politics of Blogging session and the panel on Citizen Journalism. Mark Bahnisch, one of the Politics of Blogging facilitators, has also posted on the ’state of political blogging’ specifically for that session. Robyn Rebollo has notes from the conference which include reflections on the Legal Issues and Blogs session. Nick Hodge was one of the facilitators for the Business Blogging session and has posted both his notes and powerpoint slides. Likewise, Joanne Jacobs has some useful notes from The Future of Blogging closing session, and Kate Davis’ notes from the parallel ‘Building a Better Blog’ session are useful, too. Conference notes and reports keep emerging, so watch the blogoz tag on Technorati for more.

I should say, as well, that I was fortunate enough to catch up with a whole bunch of folk I’ve known through blogging, social networks, shared research interests and so on, but never actually met in the flesh before. It was great chatting with Brian Fitzgerald, Jessica Coates and Rachel Cobcroft, as well as Elliot Bledscoe who I met a few weeks earlier, all of whom are part of the Creative Commons Australia team, which Brian leads. Given their enthusiasm and energy, I’m sure CC Australia has a lot going on in the future, and with any luck I’ll be involved with some of the CC and Education things as they emerge. I also chatted to Melissa Gregg, Jean Burgess and Axel Bruns, all of whom are blogosphere friends who its nice to see annually (or thereabouts) at conferences. Quite unexpectedly, I ran into Sarah Xu who I’ve met through local fannish events, but I hadn’t realised she’d landed in sunny BrisVegas to write her doctorate, which is creatively exploring the important question: “how can cyberfeminist practice and Web 2.0 applications be used to recode gendered representations of women on the Internet?” Sounds like a thesis worth watching!

Finally, a huge congratulations to Peter Black who put the conference together and assembled a fascinating group of people to participate in some really meaningful exchanges! Time to start planning for next year …

[Cross-posted from my main blog.]

Update: Peta Hopkins also has some notes from the Blogging in Education session, including a several things I’d forgotten we’d talked about (including ebublogs.org).




Virgin Mobile and Creative Commons Sued by US Teen

23 09 2007

A couple of months ago I wrote about Virgin Mobile’s controversial use of CC-Licensed images from Flickr in one of their advertising campaigns.  Things have now taken an odd twist, with on of the teenagers features in the photos suing not just Virgin but Creative Commons as well!  As the Sydney Morning Herald reported:

A Texas family has sued Australia’s Virgin Mobile phone company, claiming it caused their teenage daughter grief and humiliation by plastering her photo on billboards and website advertisements without consent. [...] The picture of 16-year-old Chang flashing a peace sign was taken in April by Alison’s youth counsellor, who posted it that day on his Flickr page, according to Alison’s brother, Damon. In the ad, Virgin Mobile printed one of its campaign slogans, “Dump your pen friend,” over Alison’s picture. The ad also says “Free text virgin to virgin” at the bottom. [...]

The lawsuit, filed in Dallas late yesterday, names Virgin Mobile USA LLC, its Australian counterpart, and Creative Commons Corp, a Massachusetts nonprofit that licenses sharing of Flickr photos, as defendants. [...]

People who post photos on Flickr are asked how they want to license their attribution. The youth counsellor chose a sharing licence from Creative Commons that allows others to reuse work such as photos without violating copyright laws, if they credit the photographer and say where the photo was taken. His Flickr page appears at the bottom of the ad.

Worth reading on this matter are:-

[X] Lawrence Lessig’s post “On the Texas suit against Virgin and Creative Commons” (always thorough, Lessig also links to the actual complaint);
[X] The Slashdot Thread on the lawsuit;
[X] and Joi Ito’s post, in which he notes this complaint is a ”very good example of the complexities of copyright and other rights and the necessity of educating the public and ourselves about what copyright exactly is.”

Personally, I find it hard to credit the complaint against Creative Commons.  I think as an organisation, CC have done more to educate people about copyright than almost any other organisation.  While I admit using certain CC licenses leaves the lay-person ignorant about the complexities of model releases and the different international standards (ie you need people in the photos to grant permission for their image or likeness to be used), the fault lies more with copyright law per se than with Creative Commons.  Of course, given this development, it would seem prudent time for a more detailed guide about using CC licenses on Flickr (and other photos) to be developed.

[Cross-posted from my main blog.]