A new look for the blog…

5 11 2006

As James Farmer has been busy upgrading edublogs to the spiffy new full-version of Wordpress-Mu (finally at 1.0), I thought I’d take the opportunity to upgrade the look of this blog as well. Ever since I posted my wonderful graduation iPhinished iPod silhouette I’ve wanted to get around to doing a custom header, so I’ve swapped to the more dynamic Regulus theme, minimised the many links in the blogroll, created a header-image I’m happy with and with any luck will carve out a little more time to blog here in the near future.

The only thing that I couldn’t do (which is a limitation of a mulitple-blog installation like Mu) is edit the template so I could put my Creative Commons license details in the footer. However, I think the ‘Some Rights Reserved’ page-link as part of the header is a reasonable work-around for now.

Also, I realised today that four days ago, Tama’s eLearning Blog celebrated its first birthday! I should really rename this my Flexible Delivery or Mixed Mode blog, but I think I’ll stick with eLearning for now since it sums up where I was coming from in my thinking when the blog started. It’s been a fun journey so far …




Citizen Journalism: From Pamphlet to Blog - Documentary

21 08 2006

I’ve just watched “Citizen Journalism: From Pamphlet to Blog” which is a pithy 15-minute introduction to a number of the issues relating to citizen journalism, blogs and vlogging. It was created by a team at Cambridge Community Television for a class project on documentary making, by the following team: Jason Crow, Shaun Clarke, Darcie Deangelo, Amy Mertl, Buz Owen, Jason Ong, Matt Landry, and Mayana Leocadio. They’ve released their doco using a Creative Commons Attribution-NonCommercial-ShareAlike license, so others are free to view it so long as they give credit and don’t make money off the screening. Having recently given a lecture on blogging and citizen journalism, I think this is a great resource. Take a look.

I’m also impressed with the general structure, services and layout of BlipTV who are hosting the doco file in various formats. The creators of the doco actually used BlipTV to post online early recordings and a rough-cut of their piece, which is really useful for others to see how the process of editing a doco works. A great teaching tool and a nice little doco. [Via SmartMobs] [Cross-posted from Ponderance]




Ourmedia’s Learning Centre … A Wealth of (Re)Usable Resources for citizen (and student) media productions!

13 06 2006

JD Lasica announced recently that the first public iteration of OurMedia’s Learning Centre is open for your use …

Ourmedia is proud to announce the unveiling of the Personal Media Learning Center as well as the Open Media Directory. The Learning Center is an ongoing project with a simple aim: to help people engage in the participatory media movement by showing them how to create videoblogs, podcasts, screencasts, digital stories and other emerging media forms. There are sections on Video, Audio, Multimedia, Images and Text. In addition, we have what will undoubtedly become a deep Topics section. We’re starting out with the subjects of Personal media - Getting started, Citizen journalism, and Copyright & the law. We have a lot of needs in fillng out these sections, so if you’d like to write a tutorial, share an article, or create a screencast, video or podcast that would be helpful to people, see our guidelines and contact me [JD Lasica]. This is media training of the people by the people.

Included is a major resource for students (and others) producing digital media is the directory of reusable music (and other bits) …

The Open Media Directory is a clearinghouse of dozens of different sites where you can find legal, podsafe music, audio and video clips. For anyone who wants to add a music soundtrack to their online video or add music to a podcast, the Open Media Directory is a treasure. Thanks to the UK’s David Holmes, the directory’s editor, for pulling it together for us.

These resources centrally index a wealth of resources that well-informed students and citizen media producers can use and not have to fear (or violate) copyright laws. (While the laws are crappy, working within them means you can always use your own work rather than having fantastic portfolio productions you can’t actually show anyone since you don’t have permission to use your background music!)

[Cross-posted from Ponderance.]




Flickr’s Greatly Improved Creative Commons Search Function

17 05 2006

Flickr just upgraded from Beta to Gamma so I thought it was time to check their search function out in the new version. Low and behold, my wish for a better way to search only Creative Commons licensed images is there: Flickr's Creative Commons Friendly Searches! Now when directing students to the various legally re-usable sources for image on the web I can start with Flick and ensure that they can easily find only images with the right licenses! Spiffy!




Podcasting Legal Guide

1 05 2006

For anyone podcasting or encouraging their students to podcast, you’ll find the Creative Commons authored Podcasting Legal Guide: Rules for the Revolution extremely useful for negotiating the murky legal issues around using, sampling and distributing various forms of digital audio. Check it out …

[Podcasting Legal Guide - Html Version]
[Podcasting Legal Guide - PDF Version]




Higher Ed Blog Con & Legal Issues in Podcasting

4 04 2006

James pointed out today that Higher Ed Blog Con is well under way. All the papers and talks are being posted online throughout April and there are some fantastic things coming up. The first day had a great talk from Mark E. Ott called “Giving the students what they want: Short, to-the-point e-lectures” which compares screencasts and podcasts and looks at the utlity of both (the paper also led me to Mark’s really interested educational technology blog “My Educational Diatribe” which I shall be reading from now on.)

Also of great interest given my podcasting inclinations was a talk by Colette Vogele and Elizabeth Townsend Gard entitled “Legal issues in podcasting the traditional classroom“. Their abstract:

Colette Vogele and Elizabeth Townsend Gard will explore the legal aspects of podcasting in teaching and higher education. Colette is the author of the new Podcasting Legal Guide (soon to be available at Creative Commons and the Center for Internet and Society) and Elizabeth focuses her research on copyright in an academic environment. Colette will explain legal basics surrounding podcasting, and Elizabeth will focus on the higher education environment, particularly podcasting the traditional classroom. The presentation will address copyright, trademark, and right of publicity/privacy questions that arise in the context of podcasting in the teaching scenario. Copyright questions have to do primarily with third-party materials that are used in the podcast, and the rights under which the podcasting teacher wishes to distribute her content. Traditional licensing, Creative Commons licensing, and public domain dedications would be addressed. Questions about ownership of the podcast content (e.g., the institution vs. the teacher?) would also be discussed. Elizabeth will focus the second part on “What questions should we ask when we podcast the traditional classroom?” This will look at at the specifics of Section 110 of the Copyright Act , which includes both exceptions to using copyrighted materials in the traditional face-to-face classroom teaching and the additional recent exceptions added with the TEACH Act. How does podcasting change classroom choices? What choices do podcasters have when podcasting the classroom? This part will also look at the additional issues of ownership of the podcasted lecture and student work that is podcasted.

You can download the entire presentation (with both .mov files and the powerpoint slides) and I recommend you do as the two offer a great primer on thinking through the legalities of podcasting in academia.

I suspect the entire Higher Ed Blog Con will end up being a fantastic resource for those thinking and blogs, podcasts, screencasts and the like and I’m looking forward to the rest of the papers.




Australian Schools To Be CHARGED TO USE THE INTERNET?!?

1 03 2006

The Australian Copyright Agency seems to be determined to make sure students don’t get a decent education by trying to charge schools to use the internet:

Schools have warned they will have to turn off the internet if a move by the nation’s copyright collection society forces them to pay a fee every time a teacher instructs students to browse a website. Teachers said students in rural areas would bear the brunt of cuts if the Copyright Agency was successful in adding internet browsing charges to the $31 million in photocopying fees it rakes in from schools. [...] Negotiations between the Ministerial Council on Education Employment, Training and Youth Affairs, representing the schools, and the agency have broken down over plans to change the scheme to include a question in the survey on whether teachers direct students to use the internet. “If it turned out we’d have to pay them, we’d turn the internet off in schools,” the council’s national copyright director Delia Browne said. “We couldn’t afford it; it would not be sustainable. How on earth are we going to deliver education in the 21st century? How are taxpayers going to afford this.”

Cory Doctorow’s take:

This is a way to transfer Australia’s tax dollars from its education system to its copyright sector.

My take: Leave the schools alone!!!




What will eLearning look like in 2016?

22 02 2006

Some time last year, I came up with an idea for the forthcoming Fibreculture issue on “New media, networks and new pedagogies” and it looked a little like this…

“The Open Course Manifesto: Reflections on the Tenth Anniversary of Publication”

Published: December, 2016

This will be a (fictional-)historical reflection on ‘The Open Course Manifesto’ which appeared in an eLearning blog for the first time in 2006, the Movement it inspired. It is written from the perspective of the Manifesto’s author reflecting on (and recounting) ten years of the teaching & learning nexus (or, indeed, nexes) as it has been remediated and reconstructed as a socio-pedagogical phenomena stretching far beyond bounds of the ivory tower of academia. The piece highlights the originary media-forms which facilitated the Open Course Movement-namely blogs, wikis, podcasts, vlogcasts and metamedia-and the institutions which so energetically pushed the movement (especially the Creative Commons Organisation and OurMedia Foundation). Naturally, the controversial ‘CopyRighteous’ bankrupting of the Open Course Movement in 2009 after Warner Brothers sued the Movement after a ninety second excerpt from The Matrix: Reloaded was erroneously placed in under a Creative Commons licensed vlogcast lecture will be revisited, as will the now infamous resurrection of the Movement ‘housed’ as an Incorporated Informatic Form on a Singaporean serverfarm, beyond the legal reach of both US and Australian judiciary systems. Those dramas aside, the central tale is still how a collection of little-known universities open sourced their entire curriculum in an effort to broaden the semi-structured public coursebase to rekindle an adapted ‘clever country’ ethos in the Australian, UK and eventually US contexts. The Movement’s catch-cry, ‘The personal is the pedagogical’, still resonates powerfully today and this reflective piece will offer context to one of the core tales of public teaching and learning in the early years of the twenty-first century.

Now that I’ve actually gotten around to writing the article I need your help! Where do you see eLearning by 2016? Which trends to you see growing (either optimistically or realistically)? Does eLearning mean anything by 2016 … or is it just part of learning by then? I’d really appreciate people’s insights as part of the edublogosphere! Also, if you happen to know anyone who would be interested in leaving a comment, please do pass on the link to this post! (I’d like to cite everyone who offers suggestions in the paper, so if people could leave a full name when commenting, that’d be appreciated!) Thanks for your help and bring on the comments!




iTunes U … The Saga Continues

30 01 2006

Last week there was a healthy discussion about the pros and cons of iTunes U (here and here for a start) and after a bit of a think over the weekend, I’ve got some further thoughts. D’Arcy Norman in “iTunes U. Critiques - it’s not as simple as that” makes a number of positive points about Apple’s service. Probably the most important part of D’Arcy’s post is the last paragraph:

I just talked with someone at Apple who would know - and iTunes U supports any file format that iTunes can grok - you can publish .mp3 (or .wav, or .aiff, or Apple Lossless) audio, .mp4 video, even .pdf files (that’s how album art is handled) as well as the “default” formats of .aac etc… This means there is no lock-in to having an iPod as portable playback device (and even the .aac files can be converted by iTunes to .mp3 now).

Having cross-platform playable formats such as mp3 is, in my opinion, a huge plus because it does allow other players and platforms to handle the files (sure, you need iTunes to access those files initially, but having flexibility with them thereafter and no DRM is hugely important). Gardner Campbell, however, remains unconvinced by the service and in a “Postscript on iTunes U” makes the extremely important point that while there won’t be a technical lock-in to the service, financial realities may create a practical lock-in anyway:

Will institutions, especially starved-for-cash public schools, be willing to fund home-grown open alternatives when they can make money on a home-branded, outsourced, turn-key operation like Apple’s? I doubt it. Apple doesn’t need de jure exclusive rights. We’ll essentially give them away, de facto. Much better PR that way, and the company gets to express its astonishment at any dissent, for after all no one forced us to put all our content in iTunes U.

I think after consideration, I’m falling half-way between the two perspectives. I do think iTunes U has potential to be a very useful service, especially for publicly accessible university podcasts because the potential traffic charges could be huge, especially for well respected professors giving public lectures and the like. I also think that iTunes U could be a useful host for course content. However, it should not be the only host. If using iTunes U stops many universities exploring alternative services and developing their own, then Apple is pulling a Blackboard/WebCT. However, having recently learned from those lessons (and almost-done-mergers), I suspect many universities will using both iTunes U and in-house solutions for other formats/options. Along those lines, Burks Oakley pointed me to an important post by Michael Meiser whichs extends a post from Jon Udell both of whom focus on the difficulties of linking to and referencing material via the iTunes interface. As Jon Udell points out:

It was an ironically circular exercise. I started at itunes.stanford.edu, which is just a web placeholder for the JavaScript code that launches iTunes and points it at the special Stanford area of the iTunes Music Store. Then I subscribed to some of the Stanford feeds in iTunes. Capturing the URLs of those feeds was way harder than it should be, because iTunes displays them but won’t let you copy them. Those feed URLs are, of course, extremely nasty-looking, e.g.:

https://deimos.apple.com/WebObjects/ITCSBrowse.woa/wa/ Subscribe/Feed_StanfordPublic-1770144-1770152–1770196_visitor $40indigo.apple.com_1137336780-95c4e56efabeb87e7982db034895cbd2eb6312de

You’d have to nuts to write something like that down. Well, I guess I am, because I did. My reasons were partly selfish. I want to be able to get directly to the audio URLs contained in those feeds so I can automate conversion to MP3. Why? I like to listen to long lectures while running, and my iPod isn’t the preferred device in that situation. My Creative MUVO is lighter, and when I drop it or get it wet I don’t have to worry so much. More broadly, I want these freely available lectures to be able to spark the sort of web discourse that I’m sure Stanford intends them to. URLs are the currency of that discourse. If I want to refer you to Robert Dunbar’s global warming talk I should be able to link you directly to it. Discussion about the talk should be discoverable on the web by way of that URL. Here’s what shouldn’t have to happen, but currently does:

I heard an interesting talk about global warming by Stanford’s Robert Dunbar. I wonder what you think about it? To listen, make sure you have iTunes installed, and then go to itunes.stanford.edu in a browser. From there, click the link to open iTunes. Then click on Faculty Lectures. Then scan the list for “Is Global Warming Real” or “Robert Dunbar”.

So anyway, after laboriously capturing those feed URLs and posting them to del.icio.us, I turned around and subscribed to them in … wait for it … iTunes. It’s a decent podcatcher, after all, and I’m technology-agnostic. I’ll use anything for its strengths, while working around its weaknesses. The workaround, in this case, was simply to expose the feed URLs, and through them, the individual lecture URLs, to public discourse: linking, tagging, blogging, playlisting.

That is the kind of intellectual activity that Stanford wants to encourage, isn’t it?

iTunes U is thus somewhat at odds with the ease that a lot of social software provides when having conversations across posts, podcasts and other digital flotsam. Sure, that might be a good thing for some people (I know that locking podcasted lectures behind a university-specific interface will ease the concerns of many academics about the intellectual property), but it’s also important for any university podcast system to be linkable and accessible for content that they want to make publicly available (also an important part of good university PR). iTunes U doesn’t cover all our needs, but it can be part of the podcasting solutions. Just not the only part. And, as always, we should be working toward finding/thinking/creating the next step…

Update: Today’s The Age has an article “iTunes offers uni lectures via podcast” but it doesn’t offer much new information, although I think this quote covers the crux of the debate:

Schools and universities have historically been major contributors to Apple’s computer sales. With iTunes U, Apple “is leveraging the ubiquity that we’ve established on campuses with iPods and iTunes,” said Chris Bell, Apple’s director of product marketing for iTunes.

I suspect some universities might not want to feel all that leveraged.

Update 2: Burks Oakley has a great podcast on the ups and downs of iTunes U here. 




Lessig on Google Book Search

11 01 2006

Professor “Free Culture”, Lawrence Lessig always gives a powerful and straight-forward arguement when addressing the import legal questions surrounding digital culture. Lessig has been a champion of Google’s Print/Book Search as fair use, and has put together a wonderful (if rather large) quicktime movie (mp4) build using a recent presentation that asked the question: Is Google Book Search Fair Use?Lessig_GPrint
Due to its size you can only download the presentation via bittorrent, but I strongly encourage you so; this is a concise argument about why Google Book Search matters and why it should be supported, not just for Google’s sake, but for the sake of users across the board in our digital culture. Read more at Lessig’s blog.

Oh, and Lessig is also using this presentation as an experiment in ways of putting presentations together … I think it works admirably!

Update: Leon Felipe Sanchez has posted several smaller versions of Lessig’s presentation, including one optimised for the Video iPod and a much smaller download (for those on dialup, especially) of 320×240 (13.5 MB).